I love this so much. Overall, this is one of the best songs of the year, rivaled only by Samsara. I only have a few small complaints, in fact.
So, first of all, the dubstep at beginning of the first drop wasn't quite as good as the rest of the drop. I know you were going for an experimental style with it, but I think if it was deeper and richer it would have worked better. The rest of the drop is amazing, though, so no complaints there. However, the second part has the same problem, but instead of the experimental stuff, it just felt a bit slow, where it felt like it should have taken off and gone all over the place like the first drop in Karma. The rest of the song is almost perfect, though. I just felt like it needed a bit of an outro, maybe just a few measures of some ambiance and pads layered with strings. It's probably However, after a few listens, it gets better and almost evens out to the rest of the song.
Now then, the positives. The very beginning of the song was great. Despite using the same melody, the fast-paced transitioning and fluctuating volume and intensity not only sounded amazing, but felt amazing. Not too calm, not too loud, but suspenseful; it tells you the rest of the track is going to be heavy. It's one of the best intros I've ever heard.
Then, we get some real energy. The mini-drop at 0:40 may be my favorite part of the song. Everything about it is just downright perfect. It's got the electronics in the background, the subtle impacts behind every note, and the fast percussion keeps everything fast and intense without being obnoxious or overstated.
The next section, that sort of builds up to the drop, is possibly the most immersive experience I've ever felt. Everything feels like it's a real sound being made around me, and I can almost feel the song pulling me in, only to blast off into the drop.
In the first drop, I feel like the little breaks between the dubstep and the chaos really solidify the drop. It's a thing that a lot of songs lack. There's not much else to say, it's overall a really well made and well organized drop with the exception of what I mentioned in the complaints.
Then, we have the cool-down after the first drop. At first glance, the piano seems low budget with poor audio quality. But on further inspection, I feel like it really works to make the song transition into the next part. The other sound effects really help, too. And then all of a sudden, you've hit the second drop.
Again, there's not much to say. It's one of my favorite drops from you, not too overworked. One of the best things you can do in dubstep is use dubstep sounds to carry out a prominent melody despite having the typical dubstep growls you need to get a song classified as dubstep. It's very well balanced.
So, to wrap it up, I'd say that this is one of your best songs ever. It uses the melody of a great song that unfortunately hasn't aged too well, and really puts a new energy into it.
Now, here are a few things I'd like to see in the future.
One thing I'd like to see you do a full on Orchestral Melodic Dubstep song. The third drop in Nirmiti was great, but I'd like something with huge chordstacks, preferably it the style of this song's last drop. I really appreciate the amount of work put into your dubstep as it is, and I'd love to see that put into melodic dubstep. I also feel like melodic dubstep is perfect to integrate into an orchestral piece, as you can make the chordstacks can be harsh or soft while carrying the same level of power, depending on what atmosphere you're trying to create.
Another thing I'd like to see is a nearly full orchestral drop, like in Jnana. To this day, that's my favorite piece of music, and I'd love to see something like that fleshed out with some electronics when needed.
If you don't want to fill out either of those ideas, it's completely okay. But if you did, you would probably have created my favorite thing ever.